1941 Sunderland Capture, by Leonard Bacon

Turk’s Cap Lily

No one has wholly understood

The orange lily in his wood.

Fire in the night! Fire in the night!

That makes me tremble as I write.

Hot symbol of the pushing urge

That fights with shadows on the verge

Of nothing, till itself emerge!

Out of the chemic chaos wrought,

It hangs, antithesis of thought

That idly dreams away its hour.

But no delusion cheats the flower,

Up in superb rebellion thrust

With fierce assertion from the dust.

It taxed a star’s whole strength to fettle

The furnace, whence the burning petal

Derived in passion crystalline

Essence and color and design.

Some childless muse may meditate

The eunuch art to miscreate,

Yet transitory and unshakable

Poises the flower, “pure and implacable,”

Alike to seeing and unseeing

The substance and the sign of being,

All life, all strangeness, all delight,

Fire in the night! Fire in the night!

Commentary- Why do I read this as a phallic symbol, when it’s about a flower? Was his subconscious at play? Anyway, he sees a lot in the flower, and so he meditates on it. I appreciate his passion for this lily and that he put into words what came to him.

The rest of the collection I didn’t see as strong is this one.

My opinion: 5/10

1942 The Dust Which Is God, by William Rose Benet

forthcoming

1943 A Witness Tree, by Robert Frost

forthcoming

1944 Western Star, by Stephen Vincent Benet

forthcoming

1945 V-Letter and Other Poems, by Karl Shapiro

forthcoming

1946 No award given this year

1947 Lord Weary’s Castle, by Robert Lowell

Katherine’s Dream

It must have been a Friday. I could hear
The top-floor typist's thunder and the beer
That you had brought in cases hurt my head;
I'd sent the pillows flying from my bed,
I hugged my knees together and I gasped.
The dangling telephone receiver rasped
Like someone in a dream who cannot stop
For breath or logic till his victim drop
To darkness and the sheets. I must have slept,
But still could hear my father who had kept
Your guilty presents but cut off my hair.
He whispers that he really doesn't care
If I am your kept woman all my life,
Or ruin your two children and your wife;
But my dishonor makes him drink. Of course
I'll tell the court the truth for his divorce.
I walk through snow into St. Patrick's yard.
Black nuns with glasses smile and stand on guard
Before a bulkhead in a bank of snow,
Whose charred doors open, as good people go
Inside by twos to the confessor. One
Must have a friend to enter there, but none
Is friendless in this crowd, and the nuns smile.
I stand aside and marvel; for a while
The winter sun is pleasant and it warms
My heart with love for others, but the swarms
Of penitents have dwindled. I begin
To cry and ask God's pardon of our sin.
Where are you? You were with me and are gone.
All the forgiven couples hurry on
To dinner and their nights, and none will stop.
I run about in circles till I drop
Against a padlocked bulkhead in a yard
Where faces redden and the snow is hard.

Commentary- Open for interpretation. Ok, it’s stream-of-consciousness. She has family issues, she’s a home wrecker, she feels guilty but finds redemption, yet still she ends up alone and miserable. Right? Poor Katherine. Is her life like a dream that she wants to escape?

Love the rhyme schemes he employs in this collection. Helps with the difficulty of comprehending his art. I don’t see Lowell being for everyone. I appreciate him.